Viso: Cadernos de Estética Aplicada

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The Shared Crown:
On Political Drama
in King Lear

Pedro Sussekind

What Can
a Shared Crown Do?
Politics, Kinship and Gender

Marcela Oliveira

Schiller and the Role of Agency in Modern Tragedy

Vladimir Vieira

Challenges of the Time of Formation in Art and in Brazil: Nuno Ramos, between Antonio Candido and Rodrigo Naves

Pedro Duarte de Andrade

Brazil in the Globe of Death
of Everything

Juliana de Moraes

Malraux’s
Museum without Walls
and the Curatorial Gesture

Luiz Camillo Osorio

Can Contemporary Curatorial Gestures Confront Colonialism?

Rizzia Soares Rocha

The Semantic of Forms: Aesthetics and Dialectics in Contemporary Art and Criticism

Ulisses Razzante Vaccari

Comments on
the Form-Content Tension
in Contemporary Arts

Anderson Bogéa

Presuppositions—If not Mistaken—of the Dialectic of the Semantics of Forms

Pedro Franceschini

Where the Light
Doesn't Strike:
the Status of the Artist
in Colonial Brazil

Pedro Fernandes Galé

Chiaroscuro Baroque, Sfumato Colonial
Artist of Minas Gerais

The Experience of Destruction in Aerial Warfare and Literature by W. G. Sebald

How Can Literature Talk About Catastrophe?

Jeanne-Marie Gagnebin

Form and Catastrophe

Rafael Zacca Fernandes

Impasses of Aesthetics
and Its Discontents

Bruno Guimarães

Aesthetics (and Politics)
by a Thread

Fernando R. de Moraes Barros

Obsolescence of the Concept of Cultural Industry?

Francisco De Ambrosis Pinheiro Machado

Grief and Nothing
on Wim Wenders'
Perfect Days

Imaculada Kangussu

Why Still Aesthetics?

Ricardo Barbosa

The Proof of the Existence
of Aesthetics

Virginia Figueiredo

Aesthetics beyond the Taste of Coffee

Guilherme Foscolo

Worlds without Edges

Rosa Gonçalves

Indeterminacy in Manet

Luis Inacio Oliveira Costa

Painting without God: Bataille and Manet

Ruy Lewgoy Luduvice