Viso: Cadernos de Estética Aplicada

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Thinking Space Spatially: Language as medium in Walter Benjamin's Passagen-Werk

Arthur Dal Ponte Santana

Border Zones:
Inframince and
Transitional Phenomena

Cláudia M. França da Silva

The Contemporaneity of Benjamin and Brecht after the Historical Avant-gardes

Daniel Alves Gilly

Aesthetic Nominalism: Concept and Problems

Daniel Pucciarelli

Byung-Chul Han's
Conception of Art
and His Diagnosis
of the Art Crisis

For an Ontology of Art of Original People of Brazil

Eliana Henriques Moreira

Transphonographic Procedures and Conceptual Approach in Caetano Veloso's album Araça azul

Guilherme Granato

Between Archive Letters
and Constructed Images.
Cinema on the Edge
of History:
An analysis of the Film
In the Crosswind

Around the Confusion: Poem-Essay

Jessica Di Chiara Salgado

Things Unworthy
of a Philosopher:
From Anaesthetics
to Aesthetics
in Susan Buck-Morss

Juliana de Moraes

The Place of
the Work of Art
in the Age of Technology

Leidiane Coimbra

From Entertainment
to Domination:
Dystopias to Reflect
about the Trivialization
and Work
in the Digital Society

Marcelo Capello Martins

Jacques Rancière
and the Mediations
of the Distribution
of the Sensible:
Considerations
on Time and Space
in Literature
and its Condition
for Emancipation

Michelly Teixeira

Evanescente (2001)
and the Last Border:
A Reading
from the Perspective
of Spatial Arts Ambient

Gilda de Mello e Souza Ecstatic in the Metropolis

Rafael do Valle

Translation as Essay:
A Few Notes on Antigonick
by Anne Carson

Rafael Zacca Fernandes

Kant and the “Spirit”
of the Critique of Taste:
Or on Aesthetic Enlightenment

Ricardo Barbosa

The Very Much Interested Art of Nietzsche

The Historical (Dis)continuity of Sublime

Theo Machado Fellows

Art and Realism:
Critical Essayism in
György Lukács Aesthetics