Viso: Cadernos de Estética Aplicada

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Art after the End of Nature

Virginia Figueiredo

Kant beyond Nature
and Freedom

Vladimir Vieira

Art after Aesthetics

Rosa Gonçalves

The End of Criticism:
New Conversation
between a Japanese Actor
and a Brazilian Critic

Dialogues:
West and East,
Criticism and Art,
Theater and Pandemics

Pedro Duarte de Andrade

The End of Criticism:
A Debate Based on
a Theater Dialogue

Decoloniality and Aesthetics:
Interdict, Resignification
and Re-aestheticization

Carla Milani Damião

Interdiction, Resignification
and Production
of Visibilities:
Notes on the Colonization
of Vision in the Colonial
Heteropatriarchal Regime

"White People`s Place":
The History of Brazilian Art

Rachel Cecilia de Oliveira

A Hundred Years
of Proust`s Death:
Writing the Word End

Marcela Oliveira

Deleuze and Proust:
Thinking from
"Writing the Word End"

Cíntia Vieira da Silva

Eros’ Arrows
and Cronos’ Arrows

Rafael Zacca Fernandes

Metaphysics, Dreams
and Fiction:
Kant and the Specters

No to the Spectres:
On Kant,
"Capitalist Realism"
and Mr. Keuner

Ricardo Barbosa

Spectral Logics:
On Kant,
Culture Industry
and Other Possibilities

Pedro Franceschini

Hyperstition Factory:
Or on How We
Have Lost the World

Guilherme Foscolo

"What Has Risen
May Sink":
Recovering
the Lost World

We Are All Hyperstitious

Bernardo Barros Oliveira

Sensibility and Abstraction
in Gian Lorenzo Bernini’s
“Verità svevelata
dall Tempo”

Francisco de Ambrosis Pinheiro Machado

The Representation of Time
in the Attributes of
the Alegory of Truth

The Birth of Crime Literature
and the Modern Spectator:
Some Considerations
Based on
Walter Benjamins
Archeology of Modernity

Luis Inacio Oliveira Costa

Epic between Crime Litearture and the Modern Spectator in Benjamin

Ulisses Razzante Vaccari

From Literature
to the Visual Arts:
Flânerie as
an Aesthetic Practice

Rizzia Soares Rocha

Some Developments
on the Four
Image Regimes

A Commentary on Pedro Hussak's "Image Regimes", with Five Invitations to Discussion