CADERNOS DE ESTÉTICA APLICADA
N°
31
ISSN 1981-4062
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Idyll and Kitsch:
Contemporary Reflections
on Aesthetics
Ana Paula Caixeta
Maria Veralice Barroso
Dance and Technology: Videodance
and Modes of Presence
Ana Rita Leite
Brecht's Non-tragic Hero,
between the Baroque
and the Epic
Daniel Alves Gilly
Aesthetics
and Generativity:
The Excessive,
the Exceptional
and the Exceeding
Daniel Hora
Karyne Berger Miertschink
Larissa Pereira
Benjamin and Croce: Reflections on the Autonomy of the Work of Art as Object of Knowledge
Fernanda Carolina Santos Ramos
In Search of
Their Own Culture:
"Pixacao", Aesthetic-Social
Constructs and the
"Dis-artification" of Art
Gabriel Dias
The Role of Aesthetics in Lionello Venturi's Critical Historiography of Art
Isabela de Oliveira Salinas
Stories We Would
Like to Share:
A Benjaminian Analysis
of the Actions against
Statues and Monuments
Ivana Grehs
A Brief History of Geometric Prescription in Western Dance
Izis Tomass
Some Notes on Marília Garcia’s Poetics in the Poem “parque das ruínas”
Jessica Di Chiara Salgado
Light and Visuality:
Deviations from the Play
The Last Virgin
João Alberto Lima Sanches
The Influence
of Romanticism
on John Dewey's
Early Writings
on Aesthetics
Laura Elizia Haubert
Notes on Pictorial Narrative in Paul Ricoeur
Leonardo Barros
Fashion
and Digital Surface:
Digital Technology
and Modes of Presence
in Contemporary Aesthetic
Phenomena
Luciana Nacif
Vito Acconci:
From Performance to Design
Marilia Solfa
Is it Possible to Inhabit
a Dancing Body?
Towards a Furtive
Anatomy of Affections
Martha de Mello Ribeiro
Aesthetic Education
and Moral State:
A Reading of
Schillerian Theories
Nertan Dias Silva Maia
Modes of Presence
in Contemporary Art
Rizzia Soares Rocha