CADERNOS DE ESTÉTICA APLICADA
N°
23
ISSN 1981-4062
overview
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featured sections
In the Intense Now
About the Film
In the Intense Now
Imaculada Kangussu
In the Intense Now: between Past and Future
Luiz Camillo Osorio
Unhappy Sisyphus
In the Intense Now
Patrick Pessoa
main section
The Tropicalist
Allegory of Absurd
Pedro Duarte
Tropicalia Today
Ricardo Fabbrini
Modernity's
Heterogenous Temporality
Rosa Gabriella
The Memory of
What Did Not Pass:
Leila Danziger and the
Elaboration of the Memory
of the Brazilian Dictatorship
in Visual Arts
Pedro Hussak
The Fog as Affective Tonality of the Unrepresentable
Mariana Lage
The Unimaging
of Contemporary Art
Verlaine Freitas
Herder’s Contribution to the Grounding of Aesthetics
Marco Aurelio Werle
Aesthetics and Its Limits
in the Enlightment
Pedro Fernandes Gale
Hölderlin's Philosophical
Poetry between
the Ancient and the Modern
Ulisses Vaccari
Is Hölderlin,
the Paradigm of Genius,
a God or a Beggar?
Virginia Figueiredo
Schiller, Kant and Hölderlin between Poetry
and Philosophy
Vladimir Vieira
The Applicability of Benjamin's Aesthetics
in Brazil
Carla Damiao
Fiction as Result
of Lack of Foundation:
The Speculative
Phenomenology
of Vilém Flusser
Rachel Cecilia de Oliveira
To Translate
and to Meditate
Fernando Barros
Ways of Thinking
Fiction as Foundation
Walter Menon
Samuel Beckett
and Minimalism
Luciano Gatti
Precarity and Eloquence
in Beckett
Marcela Oliveira
Words and Music:
For a Discussion
on Beckett and Minimalism
Ricardo Barbosa
Why Fiction Narratives
in the World of
Electronic Sociability?
Bernardo Barros Oliveira
Electronic Sociability
and Total Screen
Pedro Süssekind
Intersections between
Art and Technology
in Post History:
An Approach between
Vilém Flusser
and Donna Haraway
Debora Pazetto
Politics Based
on Art & Technology:
Notes for a Debate
Miguel Gally
On Post-History
and Cyborgs
(with a View of the
“Aesthetosphere”)
Rodrigo Duarte