O texto busca indagar qual a relação entre história da arte e filosofia a partir do pensamento de Walter Benjamin e Georges Didi-Huberman. O fio condutor será o conceito de anacronismo histórico e sua relação com a montagem enquanto forma dialética de conectar obras de arte e imagens. Por fim, nota-se que, ao retomar o pensamento benjaminiano, Didi-Huberman ressalta a tarefa política subjacente à atividade do historiador da arte.

The text seeks to investigate the relationship between art history and philosophy based on the thought of Walter Benjamin and Georges Didi-Huberman. The guiding thread will be the concept of historical anachronism and its relationship with montage as a dialectical way of connecting works of art and images. Finally, it is noted that by resuming Benjamin's thought, Didi-Huberman highlights the political task underlying the activity of the art historian.